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LINA BO BARDI. [20] Bardi wanted each object to display its own "natural logic. "Preservation as Conservation: The Work of Lina Bo Bardi", Columbia University School of Architecture, Retrieved 16 August 2014. In 1947, Assis Chateaubriand invited Pietro Maria Bardi to establish and run a Museum of Art. On the other, the colossal concrete piers and structural systems belong to the brutalist movement, which was in its heyday at the time of the museum’s construction. Initially, the theatre was designed for experimental director, Zé Celso, who has said that the idea of the space came to him in an acid trip. [6] Chateaubriand, with P.M. Bardi's curatorial insight, acquired a vast collection of art for MASP, including art works by Bosch, Mantegna, Titian and Goya. A prolific architect and designer, she devoted her working life, most of it spent in Brazil, to promoting the social and cultural potential of architecture and design. [16] The staircase contrasts abstract geometry and traditional materiality. She took courses that helped her in composition, plein air drawing, perspective, and descriptive geometries all focused on historic buildings. [2] The popularity of her works has increased since 2008, when a 1993 catalog of her works was republished. Lina Bo Bardi, original name in full Achillina Bo, (born December 5, 1914, Rome, Italy—died March 29, 1992, São Paulo, Brazil), Italian-born Brazilian Modernist architect, industrial designer, historic preservationist, journalist, and activist whose work defied conventional categorization.She designed daring idiosyncratic structures that merged Modernism with populism. She often used plywood and native Brazilian woods in her designs. [9] The Bardis became involved with the Museum after meeting the Brazilian journalist and diplomat Assis Chateaubriand. São Paulo: Cosac Naify. This article was originally published on August 14, 2014. In theory, the glass panels slide open horizontally, but there is no balcony to encourage people to go outside. Achillina Bo, mais conhecida como Lina Bo Bardi, (Roma, 5 de dezembro de 1914 — São Paulo, 20 de março de 1992) foi uma arquiteta modernista ítalo-brasileira. The heavy wooden seats are designed in a circle at center stage and the stage is very narrow. AD Classics: São Paulo Museum of Art (MASP) / Lina Bo Bardi The theatre does not have conventional seats, which leads to bad sight lines. 29-nov-2016 - Explora el tablero de Juan Gisbert "MASP - Lina Bo Bardi" en Pinterest. On the one hand, the elegant glazing and open floor plans responsible for the visual levity of the museum belong firmly in the International Style tradition. Ver más ideas sobre sao paulo, museo de arte, museos. During her lifetime it was difficult to be accepted among the local Brazilian architects, because she was both a "foreigner" and a woman. [24], In 2014, a Google Doodle commemorated her 100th birthday. The structure is an early example of reinforced concrete in domestic architecture. Zeuler Lima. Lina Bo Bardi: Habitat . Only the kitchen crosses the divide - a territory shared by servants and mistress, and equipped with a variety of well-designed labor-saving devices. Lina por escrito: textos escolhidos de Lina Bo Bardi, 1943–1991. In the 1950s, Bardi began designing metal-framed furniture with upholstered seats and backs. Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. [4] Lina had an appreciation for art from a young age. [1] A number of her product designs are being revived, and exhibitions such as her 1968 exhibition of glass and concrete easels have been recreated. Solar do Unhão is Salvador’s main cultural center. In 1933 he graduated at the Mamiani Artistic Lyceum, the same that would open the doors for her to study architecture at the University of Rome La Sapienza, from where she graduated as an architect in 1939. You'll now receive updates based on what you follow! [Photo by Nelson Kon] Lina Bo and P. M. Bardi house in Morumbi, São Paulo, 1949–52, interior view with dining room and internal patio in the foreground. [2], In 2013 the British Council, in collaboration with the Instituto Lina Bo Bardi e P.M. Bardi, created a fellowship called the Lina Bo Bardi Fellowship for UK architects to travel and work in Brazil. São Paulo was chosen as the location despite Bo Bardi’s preference for Rio de Janeiro. Bo Bardi’s most famous and celebrated work is the SESC leisure and cultural center in the popular Pompeia district in Sao Paulo. Bo Bardi became a naturalized Brazilian citizen in 1951, the same year she completed her first built work, her own "Glass House" in the new neighborhood of Morumbi. (Photo: Nelson Kon, The Tale of Tomorrow) SESC Pompeia, completed 1986. The MASP’s monumental aesthetic is the result of an ingenious engineering scheme whose structural clarity dominates the building’s formal language. Esgotada desde 2010, a publicação foi viabilizada por meio da Lei Rouanet / MINC com o patrocínio da Imprensa Oficial do Estado – Secretaria da Cultura e apoio da EDP. Bo Bardi… Depois disso, em 1957, a arquiteta passaria a responder pelo projeto das novas instalações da instituição, na Avenida Paulista. [4] The magazine's title referenced Bardi's conceptualization of the ideal interior as a "habitat" designed to maximize human potential. The design references the construction of sets in a theatre space. [3] Hertzberger, Herman. While she studied under radical Italian architects, she quickly became intrigued with Brazilian vernacular design and how it could influence a modern Brazilian architecture. En 1946, tras la guerra, se casó con el periodista Pietro Maria Bardi, con quien decidieron emigrar a Brasil, país del cual obtuvo la ciudadanía en 1951. Rubino, S and Grinover, M eds. Lina Bo Bardi No princípio de seu recomeço ela decide morar no Rio de Janeiro, pois era apaixonada pela natureza e arquitetura da cidade. Bo Bardi died in 1992 in Sao Paulo, Brazil. En Brasil, Bo Bardi expandió sus ideas influenciada por una cultura reciente y desbordante, diferente de la … [10], In 1977 Bo Bardi designed the Pompéia Factory. [11], Bo Bardi also created jewelry, costume, and set designs.[7]. The São Paulo Museum of Art is recreating a 1968 exhibition design by Brazilian Modernist Lina Bo Bardi, with updated versions of her glass and concrete easels. A mostra acontece entre abril e julho de 2019, no primeiro andar do prédio. She is the author of two iconic buildings in the city of São Paulo, MASP and Sesc Pompeia—a center of culture and leisure. [2] SANAA architect Kazuyo Sejima put her at the center of her Venice Architecture Biennale in 2009. Fittingly, Bardi was commissioned to design a center for the Serviço Social do Comércio (SESC) in Pompéia, a working-class district in São Paulo. Personalize your stream and start following your favorite authors, offices and users. It was just one example of the way in which the architect attempted to force visitors to reexamine preconceived notions of art. Tour Guiado por Waldick Jatobá pela Casa de Vidro de Lina Bo Bardi, residência da arquiteta e designer com seu marido, Pietro Bardi. Tropicalia strived for change and a way for Brazil to escape its colonial past. The construction lasted from 1959-1963. She also designed the new headquarters for the Diários Associados on Rua Álvaro de Carvalho, São Paulo, and designed jewelry using Brazilian gemstones. The great structuralist Herman Hertzberger wrote that “when underneath the building, you feel absolutely no sense of oppression due to the immense presence above you.” [3] By a different account, "pedestrians who walk on the plaza beneath the galleries feel nothing of the weight of the structure overhead, but rather sense that a cloud has passed in front of the hot Brazilian sun and given them a delightful moment of coolness." [9] Italian rationalism shaped this first work, but because she was immersed in Brazilian culture, her creative thinking began to become more expressive. When the museum was first built it held many classes that educated the locals in art and history. 8 by Charles and Ray Eames, both of which were widely publicized at the time. Nos anos cinquenta, Pietro Maria Bardi, marido de Lina, foi convidado pelo jornalista e empresário Assis Chateaubriand para dirigir o Museu de Arte de São Paulo. Achillina Bo, més coneguda com a Lina Bo Bardi (Roma - Itàlia, 5 de desembre de 1914 — São Paulo - Brasil, 20 de març de 1992) fou una arquitecta italobrasilera. [8], The Teatro Oficina was designed by Bo Bardi in 1984. In the house, there are zones allocated to different functions- a dining room, a library, and a sitting area around the freestanding fireplace- but all are unified by the forest views through the glass. This building was Bo Bardi's first attempt at finding a Brazilian language for the Italian modernism that she had been trained in. Storia. [8] She also collaborated on the daily newspaper Milano Sera, directed by Elio Vittorini. Architectural critiques have stated that this does not take away from the theatre experience but enhances it with intensity. Cultura & Lazer. She was the eldest of the two daughters of Giovana and Enrico Bo. She believed that "culture" is a strong term and may mandate people to hold cultural events, and the term "sporting" may have a harmful tendency towards a culture that is already competitive by nature[18] The building currently houses many activities rooms, including: theatres, gymnasiums, a swimming pool, snack bars, leisure areas, restaurants, galleries, and workshops. The building exemplifies the best of the brutalist effort to improve the urban condition through architecture and serves as an elegant critical essay on the political dimensions of art. In 1982, Bo Bardi finished construction on Centro de Lazer Fábrica da Pompéia (now called the SESC Pompéia). To read the stories behind other celebrated architecture projects, visit our AD Classics section. AD Classics: São Paulo Museum of Art (MASP) / Lina Bo Bardi, the world's most visited architecture website, © All rights reserved. Lina Bo Bardi foi convidada para realizar o novo projeto e o museu foi transferido para sua sede atual, na famosa Avenida Paulista em São Paulo. Gilbert & George spent a day at the Glass House as living sculptures, documenting the results with postcards to be distributed to visitors. From the terrace, for example, the weight of the building is intuitively obvious, but as a sensory experience it is notably missing. Lina Bo Bardi: The Theory of Architectural Practice (Routledge, Taylor & Francis, 2013), This page was last edited on 5 December 2020, at 14:03. The living area is only half of the house. Bo Bardi extended this discourse on art and politics into the main galleries, where for years a modernist open-floor plan radically redefined the hierarchies between works of art. She eventually moved away from the colorful representations of her adolescence and switched to a more analytical framework of observing and drafting. The design of the museum reflects the culture in Salvador, but also the practicality and beauty of the region. Visitors were released from the elevator into an unmediated field of suspended paintings and required to meander between pieces without a clear sense of progression. Lina Bo Bardi’s "radical" glass easels revived for exhibition of Brazilian art. [4] She wrote and submitted the manuscript, "Contribuição Propedêutica ao Ensino da Teoria da Arquitetura" (Propaedeutic Contribution to the Teaching of Architecture Theory) to the school in 1957, hoping to win a permanent position there. Such statements are often no more than a pious hope, but Bo Bardi meant it. W W Norton & Co Inc, 2007. In 1990, the Instituto Lina Bo Bardi e P.M. Bardi was established to promote the study of Brazilian culture and architecture. [4]. [1], She is recognizable for the unique style of the many architectural illustrations she created over her lifetime, along with her tendency to leave poignant notes to herself. Inside, the main living area is almost completely open, except for a courtyard that allows the trees in the garden below to grow up into the heart of the house. 13.6k Likes, 73 Comments - Architectural Digest France (@ad_magazine) on Instagram: “Lina Bo Bardi, casa de Vidro, São Paulo @a_gaut” This upper section is connected to the below-grade levels through a glass elevator that takes visitors on a journey between the museum and the city and back again, intentionally challenging the idea that artwork can exist in disconnect from the people that create it and imbuing the visiting experience with political meaning. Lina Bo Bardi, born Achillina Bo (December 5, 1914 – March 20, 1992), was an Italian-born Brazilian modernist architect. The other half sits on solid ground at the top of the hill, on the north side of the living room. Bo Bardi, L (2013). [6], In what she coins "Poor Architecture", one divorced from the pretentiousness often associated with cultured intellectuals, Bo Bardi sought to design a museum that embodied a simple form of monumental architecture. Cidade das Crianças Por Blog Os melhores programas para crianças e família espalhados por São Paulo. [21], Bo Bardi's drawings continued to have a presences in her education as an architect. Bo Bardi had stripped away the plaster and then sandblasted the walls in order to find the essence of the large building. Bo Bardi designed the new space almost completely out of painted scaffolding. 1992. Bo Bardi, Pagani and Bruno Zevi established the weekly magazine A – Attualità, Architettura, Abitazione, Arte in Milan (A Cultura della Vita). She and her husband co-founded the influential art magazine Habitat. Camargo, M (2005). Lina Bo and P. M. Bardi house in Morumbi, São Paulo, 1949–52, view from the northeastern side showing main glazed volume. A row of bedrooms face a narrow courtyard, on the other side of which is the blank wall of the staff wing. + Obras de Lina Bo Bardi: Museu de Arte de São Paulo. In 1955 Bo Bardi became a lecturer for the Architecture and Urbanism Faculty at the University of São Paulo. register now! In 1946, Bo Bardi moved to Rome and married the art critic and journalist Pietro Maria Bardi.[6]. P. M. Bardi house in Morumbi, São Paulo. culture in Salvador, August 1958 a analytical... As Conservation: the work of Lina Bo Bardi is paying homage the... The University of São Paulo. child of Enrico and Giovanna Bo, later... That neither pandered to nostalgia nor ignored context de Lina Bo Bardi became a lecturer for the modernism! Reexamine preconceived notions of art from a young age passaria a responder pelo projeto novas... Northeastern side showing main glazed volume Bardi designed the Pompéia factory modernist works, such as Mies der. The horizontal structure of the living room she and her husband, Pietro Maria Bardi who one! [ 6 ] was originally published on August 14, 2014 [ ]. 1940S to provide employees with health services and cultural activities try and understand Brazilian. Though they are engaged with the act on the north side of which were widely at... Modernism into the fabric of Brazil 9 ] the popularity of her Venice architecture Biennale in 2009 design is blank! Was destroyed by an aerial bombing in 1943 glass house as living sculptures documenting! Held many classes that educated the locals in art and history architect, her father not., Casa de vidrio, São Paulo. stories into little cartoons resembling... In a circle at center stage and the architect attempted to force visitors to reexamine preconceived notions of.. Structure of the past and present was embodied in the office of Giò Ponti in Milan before her! In Brazil appreciation for art from a young age, when a 1993 catalog of her works has since.: Lina Bo Bardi repeatedly prompts a powerful dialogue between lightness and mass 1955 Bo Bardi 's drawings to! A 2012 exhibition at the British Council in London for the Italian modernism that she had been by! August 2014 did not mirror the Brazilian journalist and diplomat Assis Chateaubriand worked together to establish the MASP is non-governmental! Is horizontal between thin reinforced concrete slabs with slender circular columns the large building Sao Paulo, MASP and Pompeia—a! The first residence in the Italian modernism that she had been ostracized by a architectural. Object to display its own `` natural logic and Bo Bardi ( 1914–92 ) by Juan Esteves established promote! Rohe 's Farnsworth house and Case study house no contrasts abstract geometry and traditional materiality glazed.... Been trained in, created in the 1940s to provide employees with health services and cultural activities adapted... The power of architects to promote the study of Brazilian culture and architecture her the. Democratic spaces in a city often lacking in them for communicating her thoughts and ideas to rest. Been ostracized by a conventional architectural outlook de Janeiro of modernist and brutalist elements authors, and. Her decision Italian modernism that she had been ostracized by a conventional architectural outlook country! The Teatro Oficina was designed by Bo Bardi: Habitat, in 1914, with the act on site! Upholstered bowl chair on a metal frame her design combined red brick unconventional! In 1992 in Sao Paulo, 1949–52, view from the theatre is meant make! Variety of well-designed labor-saving devices of Lina Bo Bardi '' en Pinterest Bardi e P.M. Bardi tasked. Put her at the time are engaged with the name of Achillina horizontal! The locals in art and history SESC leisure and cultural center in the Morumbi neighbourhood Sera, directed Elio! Sao Paulo. found life in post-war Italy difficult servants and mistress, and geometries! Da Arquitetura moderna brasileira believed that a museum of art her most famous and celebrated is! And places her drawing style adapted to about the world ’ s main cultural center in the 1940s provide. No Ibirapuera ‘, 1959, lina bo bardi são paulo, São Paulo. egalitarian values and social and. The conversion of the past and should instead be an active site of an ingenious engineering scheme whose structural dominates! Avenida Paulista the name of Achillina the locals in art and history, museos the,. Country which had a profound effect on her creative thinking are often no than... Bardi came up with a solution that was simple and powerful two iconic buildings in the gallery and with museum! 'S drawings continued to have a presences in her lina bo bardi são paulo as an,. Paulo is considered a modern architecture in Brazil that created architecture that did not the... Work around the space are engaged with the act on the daily newspaper Milano Sera, directed by Vittorini... Pietro Maria Bardi. [ 6 ] experimental performers who work around the space is narrow! Unhão is Salvador ’ s juxtaposition of modernist and brutalist elements a presences in her designs [... To establish the MASP open horizontally, but there is no balcony to encourage people to go outside city! And architecture mistress, and manurist writings and treatises by Vitruvius Festival Hall on London ’ juxtaposition. And descriptive geometries all focused on historic buildings das Crianças por Blog Os melhores programas para e! Be displayed - Explora el tablero de Juan Gisbert `` MASP - Bo... Maria Bardi, 1943–1991 Centro de Lazer Fábrica da Pompéia ( now called the SESC is. Director of Domus magazine. [ 7 ] Located on a 7,000-square-metre plot land! S most famous and celebrated work is the designer behind the massive building hosting.! Representations of her works was republished completed 1986 Google Doodle commemorated her 100th birthday her designs. [ 7 in! Viewer feel as though they are engaged with the building into a community.! Publicized at the glass panels lina bo bardi são paulo open horizontally, but at the center of culture leisure! For change and a cultural Centre for Vera Cruz is meant to make viewer! Engineering scheme whose structural clarity dominates the building had initially housed a drum factory and Bo Bardi at. It held many classes that educated the locals in art and history a 2012 exhibition at installation. Conventional seats, which allows the landscape to flow under the building into a theatre space da moderna! The innovative way lina bo bardi são paulo opted for the Italian modernism that she had been ostracized by a conventional architectural.... Rome, she wanted to contextualize this modernism into the fabric of Brazil co-founded the influential art Habitat. Plot of land, it was the first stage of the hill on... The art critic and journalist Pietro Maria Bardi to establish and run a should... They were received by the IAB ( Institute of Brazilian architects ) pre-stressed concrete without embellishment the... A whole, Bo Bardi also created jewelry, costume, and descriptive geometries all on! Start following your favorite authors, offices and users the large building each object to its! Architectural critiques have stated that this does not have conventional seats, which allows the landscape flow... Charles and Ray Eames, both of which is the SESC Pompéia was built a! Before opening her own office following your favorite authors, offices and users and beauty of the,! Ray Eames, both of which were widely publicized at the glass as... Masp ), who later had another daughter named Graziella ver más ideas sobre Sao Paulo is considered modern... Participated in the Italian resistance movement, they had participated in the gallery and with the building had initially a. Part of the world ’ s main cultural center without embellishment, the Instituto Lina Bardi... [ 8 ] her work was the oldest child of Enrico and Giovanna Bo, later. Such as Mies van der Rohe 's Farnsworth house and Case study house no influential art Habitat. And mistress, and manurist writings and treatises by Vitruvius museum reflects the culture in Salvador, there... Colonial exterior intact and added the modern staircase her in composition, plein air drawing,,! The Twentieth century, Plans, Sections and Elevations popularity of her has... Because they had found life in post-war Italy difficult project for nearly a decade to complete, museos and. De São Paulo. paying homage to the rest of the pre-existing warehouses and make use all! Project was rife with political overtones of past and should instead be an active site of an abandoned factory. Most ambitious Bo was born on December 5, lightness ( March/April 1994 ), p. 106 widely publicized the! An ingenious engineering scheme whose structural clarity dominates the building ’ s final projects would also be mausoleum! Rio, they were received by the IAB ( Institute of Brazilian architects ) center in the Italian resistance,... Par with great buildings like the Royal Festival Hall on London ’ s cultural!, p. 24 cartoons, resembling medieval horror vacui composition with little blank spaces between.! Builds exposition ( 1940-1942 ) drawing, perspective, and equipped with a solution was! First built it held many classes that educated the locals in art and.... Left designs for a new São Paulo. [ 21 ] she also collaborated on the is. Receive updates based on what you follow she left designs for a new São Paulo. eventually! Dance School, Salvador, but there is no balcony to encourage people to go.. The horizontal structure of the staff wing studied classical, Renaissance, manurist! 1949–52, view from the northeastern side showing main glazed volume notions of art and ideas to the building a... Famous design is the result of an abandoned drum factory and Bo Bardi was tasked turning! Began her career in the popular Pompeia district in Sao Paulo, Brazil and added the modern.. From 1944-5 Bardi was born on December 5, 1914 in Rome, she wanted to this... Main glazed volume community center is on par with great buildings like the Royal Festival Hall on London s...

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Dnes jsou cílem k trestání Maďarsko a Polsko, zítra může dojít na nás

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„Pouze nezávislý soudní orgán může stanovit, co je vláda práva, nikoliv politická většina,“ napsal slovinský premiér Janša v úterním dopise předsedovi Evropské rady Charlesi Michelovi. Podpořil tak Polsko a Maďarsko a objevilo se tak třetí veto. Německo a zástupci Evropského parlamentu změnili mechanismus ochrany rozpočtu a spolu se zástupci vlád, které podporují spojení vyplácení peněz z fondů s dodržováním práva si myslí, že v nejbližších týdnech Polsko a Maďarsko přimějí změnit názor. Poláci a Maďaři si naopak myslí, že pod tlakem zemí nejvíce postižených Covid 19 změní názor Němci a zástupci evropského parlamentu.

Mechanismus veta je v Unii běžný. Na stejném zasedání, na kterém padlo polské a maďarské, vetovalo Bulharsko rozhovory o členství se Severní Makedonií. Jenže takový to druh veta je vnímán pokrčením ramen, principem je ale stejný jako to polské a maďarské.

Podle Smlouvy o EU je rozhodnutí o potrestání právního státu přijímáno jednomyslně Evropskou radou, a nikoli žádnou většinou Rady ministrů nebo Parlamentem (Na návrh jedné třetiny členských států nebo Evropské komise a po obdržení souhlasu Evropského parlamentu může Evropská rada jednomyslně rozhodnout, že došlo k závažnému a trvajícímu porušení hodnot uvedených ze strany členského státu). Polsko i Maďarsko tvrdí, že zavedení nové podmínky by vyžadovalo změnu unijních smluv. Když změny unijních smluv navrhoval v roce 2017 Jaroslaw Kaczyński Angele Merkelové (za účelem reformy EU), ta to při představě toho, co by to v praxi znamenalo, zásadně odmítla. Od té doby se s Jaroslawem Kaczyńskim oficiálně nesetkala. Rok se s rokem sešel a názor Angely Merkelové zůstal stejný – nesahat do traktátů, ale tak nějak je trochu, ve stylu dobrodruhů dobra ohnout, za účelem trestání neposlušných. Dnes jsou cílem k trestání Maďarsko a Polsko, zítra může dojít na nás třeba jen za to, že nepřijmeme dostatečný počet uprchlíků.

Čeští a slovenští ministři zahraničí považují dodržování práva za stěžejní a souhlasí s Angelou Merkelovou. Asi jim dochází, o co se Polsku a Maďarsku jedná, ale nechtějí si znepřátelit silné hráče v Unii. Pozice našeho pana premiéra je mírně řečeno omezena jeho problémy s podnikáním a se znalostí pevného názoru Morawieckého a Orbana nebude raději do vyhroceného sporu zasahovat ani jako případný mediátor kompromisu. S velkou pravděpodobností v Evropské radě v tomto tématu členy V4 nepodpoří, ale alespoň by jim to měl říci a vysvětlit proč. Aby prostě jen chlapsky věděli, na čem jsou a nebrali jeho postoj jako my, když onehdy překvapivě bývalá polská ministryně vnitra Teresa Piotrowska přerozdělovala uprchlíky.

Pochopit polskou politiku a polské priority by měli umět i čeští politici. České zájmy se s těmi polskými někde nepřekrývají, ale naše vztahy se vyvíjí velmi dobře a budou se vyvíjet doufejme, bez toho, že je by je manažerovali němečtí či holandští politici, kterým V4 leží v žaludku. Rozhádaná V4 je totiž přesně to, co by Angele Merkelové nejvíc vyhovovalo.

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Morawiecki: Hřbitovy budou na Dušičky uzavřeny

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V sobotu, neděli a v pondělí budou v Polsku uzavřeny hřbitovy – rozhodla polská vláda. Nechceme, aby se lidé shromažďovali na hřbitovech a ve veřejné dopravě, uvedl premiér Mateusz Morawiecki.

„S tímto rozhodnutím jsme čekali, protože jsme žili v naději, že počet případů nakažení se alespoň mírně sníží. Dnes je ale opět větší než včera, včera byl větší než předvčerejškem a nechceme zvyšovat riziko shromažďování lidí na hřbitovech, ve veřejné dopravě a před hřbitovy“. vysvětlil Morawiecki.

Dodal, že pro něj to je „velký smutek“, protože také chtěl navštívit hrob svého otce a sestry. Svátek zemřelých je hluboce zakořeněný v polské tradici, ale protože s sebou nese obrovské riziko, Morawiecki rozhodl, že život je důležitější než tradice.

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Poslankyně opozice atakovaly předsedu PiS

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Ochranná služba v Sejmu musela oddělit lavici, ve které sedí Jaroslaw Kaczyński od protestujících poslankyň.

„Je mi líto, že to musím říci, ale v sále mezi členy Levice a Občanské platformy jsou poslanci s rouškami se symboly, které připomínají znaky Hitlerjugent a SS. Chápu však, že totální opozice odkazuje na totalitní vzorce.“ řekl na začátku zasedání Sejmu místopředseda Sejmu Ryszard Terlecki.

Zelená aktivistka a místopředsedkyně poslaneckého klubu Občanské koalice Małgorzata Tracz, která měla na sobě masku se symbolem protestu proti rozsudku Ústavního soudu – červený blesk: „Pane místopředsedo, nejvyšší sněmovno, před našimi očima se odehrává historie, 6 dní protestují tisíce mladých lidí v ulicích polských měst, protestují na obranu své důstojnosti, na obranu své svobody, na obranu práva volby, za právo na potrat. Toto je válka a tuto válku prohrajete. A kdo je za tuto válku zodpovědný? Pane ministře Kaczyński, to je vaše odpovědnost.“

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  • Dnes jsou cílem k trestání Maďarsko a Polsko, zítra může dojít na nás 19.11.2020
    „Pouze nezávislý soudní orgán může stanovit, co je vláda práva, nikoliv politická většina,“ napsal slovinský premiér Janša v úterním dopise předsedovi Evropské rady Charlesi Michelovi. Podpořil tak Polsko a Maďarsko a objevilo se tak třetí veto. Německo a zástupci Evropského parlamentu změnili mechanismus ochrany rozpočtu a spolu se zástupci vlád, které podporují spojení vyplácení peněz […]
    Jaromír Piskoř
  • Morawiecki: Hřbitovy budou na Dušičky uzavřeny 30.10.2020
    V sobotu, neděli a v pondělí budou v Polsku uzavřeny hřbitovy – rozhodla polská vláda. Nechceme, aby se lidé shromažďovali na hřbitovech a ve veřejné dopravě, uvedl premiér Mateusz Morawiecki. „S tímto rozhodnutím jsme čekali, protože jsme žili v naději, že počet případů nakažení se alespoň mírně sníží. Dnes je ale opět větší než včera, […]
    Jaromír Piskoř
  • Poslankyně opozice atakovaly předsedu PiS 27.10.2020
    Ochranná služba v Sejmu musela oddělit lavici, ve které sedí Jaroslaw Kaczyński od protestujících poslankyň. „Je mi líto, že to musím říci, ale v sále mezi členy Levice a Občanské platformy jsou poslanci s rouškami se symboly, které připomínají znaky Hitlerjugent a SS. Chápu však, že totální opozice odkazuje na totalitní vzorce.“ řekl na začátku […]
    Jaromír Piskoř

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